After the new millennium, the children of the courtyard, the north drift and the changing locals become the protagonists of the Beijing drama

After the new millennium, the children of the courtyard, the north drift and the changing locals become the protagonists of the Beijing drama
Standing at the threshold of 2020, looking back at the first decade of the new millennium, it was a decade of rapid changes in the coastal cities of Beijing and a very inclusive decade.In these ten years, after experiencing the ecstasy of the Olympic bid and the glory of the first Olympic Games, and successfully fighting the SARS epidemic, Beijing has become more open and diverse.In the past ten years, the creative concept of the golden age of TV series is still shining, the seeds of the popular Internet IP have started to germinate, and the copyright dispute between the Internet and TV stations is about to start.Over the past decade, the times have changed and the industry has been transformed, but Beijing Opera ‘s focus on realism has not changed.Times are truly great screenwriters and directors, and good film and television works are nothing but superposition and reverberation.In this era of change and tolerance, some people cherish the past, some focus on the present; some find themselves, and others take care of others.Everyone has a city in their hearts. The “city” in the play overlaps to form the Beijing story of this decade-there are memories and imaginations, but in the end, they are down to earth.Nineteen years ago, the golden age of creation and inheritance, people had no idea about the IP adaptation of network literature.Later, Jinjiang Literature City, the starting point of many online writers, was established in 2002 and 2003.In 2004, the first online novel based on the Internet novel came out, but it has nothing to do with the mainland Chinese online literature. This “First Intimate Contact” starring Tong Dawei, Sun Lihua, and Xue Jianing was adapted from the same name network of Taiwanese writer Rapier Cai.Fiction.During this decade, Beijing operas continued the “Golden Age” creation methodology, and formed a scriptwriter team to create original materials, or to request materials from traditional literature.”Eight Brothers” is a script that Yang Asia took with the screenwriter for more than half a year in the Asian Games Village; “The Lonely Zhang Damin’s Happy Life” is adapted from Liu Heng’s novel; “Empty Mirror” is adapted from Wanfang’s novel of the same name; “Longxugou””Is a film and television interpretation of Lao She’s classic plays;” The Days Related to Youth “is adapted from Wang Shuo’s novel” Playing is Heartbeat “. It is worth mentioning that Lao She, Liu Heng, Wanfang, Wang Shuo, are all BeijingWriter.Most of the Beijing operas during this decade have mainly played small characters.”Days Related to Youth” and “Scarlet Romance”, focusing on the youth of the courtyard and the choices of life and life; “Empty Mirror”, “The Happiness of Zhang Damin’s Happiness”, “What Moves and Moves”, “Romance””Dove Whistle” interprets the symphony of ordinary people in the large yard and the fate of the times; “Family with Children” focuses on the joys and sorrows of reorganizing families in the happy community; “Eight Brothers” is the sweet and bitter bitterness of migrant workers in Beijing.Stills of “Days Related to Youth”.Major events in reality also improved projection in Beijing dramas of this period.”Family with Children” Liu Xing laughed at his family “Take a few hops with rope to greet the Olympics” and announced that he would climb Mount Everest to welcome the Olympics.叶京在《与青春有关的日子》结尾用字幕交代人物现状时提到了“非典”,“金燕仍在医院妇产科当白衣天使,在抗击‘非典’的斗争中成绩显著,被晋升为护士long”.Looking at Beijing from an outside perspective, the camera is aimed at migrant workers. Although they all focus on the small people, the different perspectives of the creators bring different appearances to Beijing dramas of this period.Ye Jing provided a sample of youth related to Beijing in the courtyard; Shen Haofang used the life experience of Beijing Hutong to shape the image of the poor Zhang Damin; Yang Asia regarded Beijing as another hometown and described it in a perspective that was both immersive and abstracted.All living beings in the city of Beijing.Harbin native Yang Asia graduated from China Opera and worked in Xiying Factory. In 2000, he was transferred to CCTV.Yang Asia, who has worked and lived in Beijing for many years, regards Beijing as his second hometown.”I am willing to film in Beijing, because Beijing represents China, and the living conditions of Beijing can often represent the living conditions of our time.”During the past ten years, he filmed three Beijing dramas-” Empty Mirror “,” Romantic Things “and” Eight Brothers “. Among them were the fireworks of the Beijing Hutong people who were born and raised in Beijing, and the life experiences of the eight brothers who came to Beijing to work in the northeast.The investors of “Empty Mirror” have sought several directors before, but they were rejected because of the lack of drama conflict, but it was precisely Yang Asia’s “dishes”.”I like” Empty Mirror “, and it is not mediocre to shoot the plain, it is something to be done in creation.If such a play does not pay attention to the details, there is nothing.”Yang Asia is not an authentic Beijinger, but he thinks that shooting Beijing opera has its own advantages. The perspective of people who can jump outside is called the Beijing story.”It’s like I’m not from northern Shaanxi, but I filmed” Beautiful Big Feet “.I worked there for 20 years, and I can jump out of the perspective of a native of the Northwest, and have my own interpretation of Western transmission.”In shooting” Eight Brothers “, Yang Asia jumped out of the perspective of Beijingers and paid attention to the life of migrant workers in Beijing.”They have contributed to the development of Beijing, but there are very few film and television dramas to show them. This is unfair.After the drama was broadcast, an audience member told me that he was now paying attention to the security guard and cleaning aunt in the community.I am relieved.”Difficult housing,” Big Mouth Zhang Damin “has universality. Shen Haofang studied in Japan and worked as an assistant director for Sato Junya (director of” Hunting “and” Dunhuang “).But he was born and raised in Beijing and lived in the intersection of Dongcheng District. In his own words, “it is indeed too familiar with Beijing’s Hutong life.”After Shen Haofang’s “Happy Life of the Poor Zhang Damin” caught fire, there have been a large number of follow-up works with the background of Beijing’s big miscellaneous courtyard, which have not reached the height of the former.Shen Haofang believes that the birth of a well-recognized role must be consistent with the background and pattern of the times.”The housing was difficult at that time, and now it’s all residential quarters, and people’s lives are different.”Character portrayal must conform to the reality of the era in which the play has a sense of time and vitality.””Big talk Zhang Damin” is a product of that era, and there is no way to surpass it in the second season today, because you can’t show Beijing like this.”In our Beijing today, the proportion of foreign population is increasing.This is the same as that of Shenzhen. Everyone can speak Shanghai dialect, Beijing dialect, and Sichuan dialect. There is no language difference.”This change objectively increases the difficulty of creating Beijing dramas.Because of constant changes, it is even more difficult to seize the representative of an era and find a person with universality in Beijing.”If you don’t find this character, don’t tell me that this is Beijing imitation, so I’d rather not shoot.”The Beijingers in Shen Hao’s eyes can be divided into two, one is the Beijingers who live in the times, and the other is the Beijingers in real life.The first is the impression that many people think of Beijingers who raise cages and birds, and have a good face to love. They are like the ones in Lao She ‘s novel Er Ma.The pride of the Qing people.The second type is the Beijingers in real life. The changes of the times are changing and it is difficult to break down.At that time, Shen Hao was reading Liu Heng’s novel “The Happy Life of Zhang Damin” at the guest house.So I met Liu Heng that night, and then collaborated on the play “The Happiness of Zhang Damin”.The drama was shot in the real scene near the cotton hutong, and successfully shaped a small person in Beijing Hutong, Zhang Damin, who is poor in mouth but kind-hearted, and he is optimistic to face no matter how hard life is.In the Beijing drama with the main characters of the small characters separated by a wall with the old Beijing and the old Beijing, the youth of the big courtyard is definitely the most unique type.Compared with the people in Hutong Dazhaoyuan, they enjoy more advantages in their lives, but they are also insignificant little people in the changes of the great era.Because of their background, their feelings about the gap between dreams and reality are stronger than those of ordinary people, and the drama conflict is also more intense.Ye Jing, who came from the army compound, from “The Place Where Dreams Begin” and “Days Related to Youth” to the movie “Remember the Song of a Teenager” that has not yet been released, each of his works has a strong autobiographical color.Experienced youth story of the big courtyard children.And the Beijing City, which is fixed in the video with his youth, is a cross section of that great era.Ye Jingxuan’s actors are more Beijingese, and it is better to have a military background.In the two plays, nearly half of the starring actors are Beijing-born actors. “Chen Yufan was so busy that he came to me and asked if he could act in a play. That’s it.Many children singing in Beijing have looked for me, but I am useless.”Ye Jing likes to use newcomers.” If you use wrists, the first is that you can’t afford it, and the second is that you can’t afford to lose time with him. “After looking at the script he made more than ten years later, the newcomers of that year all became wrists, time witnessed growth and witnessed impermanence-some people eventually parted ways because of the connection of the drama, such as Chen Yufan, Bai Baihe; some people worked hard and became famous, such asYong Mei; Some people leave the scene early in life, such as Fu Biao and Ban Zan.Each of Ye Jing’s works is related to his own experience, “It’s all related, it doesn’t matter. I won’t write at all.”Ye Jing said,” The place where dreams begin “is to commemorate the family connection of the parents’ generation, and also bring a kind of show-off;” The Days Related to Youth “shoots the life of their generation before the reform and opening up,” ThatAt that time, we were already at a loss and lost. “” Remember the Song of a Teenager “had the experience of being transferred to Yibin with his parents; another unreleased” We are so strange “is for our own generation.Reflection and summary.Both plays were filmed in Beijing.Ye Jing said, “The place where the dream started” opened two yards of stubble in Shichahai, “Ding Zhicheng playing Song Jingsheng and Zhang Hanyu playing Song Jianjun originally slid very well. The stubble ice can be shot directly. How dare others?”Looking back now, Ye Jing feels that many actors in” Where Dreams Begin “do not meet the skating standards.Ye Jing said that he could write accelerations other than those he experienced, but some of them were prioritized.”Even if I can’t finish writing about that, how can I have time to write about others?I’m afraid I won’t remember it in a few years.”He admitted that his works have a profound autobiographical color.”It can be said to be an autobiography.”Ye Jing said that his ideas coincided with Wang Shuo:” He (Wang Shuo) has always said that he especially wanted to write a “Dream of Red Mansions” of our time.For me, I used film and television works to complete the “Dream of Red Mansions” of our time.”Since the 1990s, Wang Shuo, Ye Jing, Feng Xiaogang and other literary and film creators who grew up in the Beijing military compound are regarded as representatives of the” Beijing Circle “(Beijing Literary Circle).But in Ye Jing’s view, their children in the courtyard and the real old Beijing are always separated by a wall, “We have a weaker sense of Beijing’s hometown and identity.The parents are not from Beijing. They are foreigners. They were gathered from Tiannan Haibei to Beijing.We have a gap with old Beijing, that is, the cultural gap between the wall and the wall. We are inside the wall, and they are outside the wall.”What identity did Ye Jing recognize?”He used a word to describe “brainless”.He is so big-hearted that he ca n’t wait to liberate the whole world and all mankind. He feels that he is carrying such a mission of the times, but he is easily impulsive.In his view, the compound can have a so-called leading culture because “it enjoys various advantages.”We must have seen many popular cultures in the West.How can ordinary people see it?Where can we afford to eat old Mo, Xinqiao restaurants, or even who dares to eat Western food?”A wall separates the big courtyard students from the real old Beijing.Ye Jing ‘s father was expelled from Beijing and his family was transferred to Yibin, Sichuan. Only then did he see the world outside the wall.”That’s Chengdu, the capital of Sichuan!My father took me into the restaurant and asked Hanako to circle around . “And on the other side, although his family was out of luck, his father still had Wuliangye for drinking and smoke from Hongta Mountain.During the reform and opening up, Ye Jing also went south to Guangzhou for business, and even opened a Sichuan restaurant with Wang Shuo in Beijing.But he thought it was just a joke, never serious business.”Don’t think I am serious about doing business. My process of doing business is” blind tossing “in Beijing.”Ye Jing said that their children in the large courtyard did not live so rigorously, nor would they plan their lives for themselves.””Me and Wang Shuo, our generation belongs to the prodigal son.”The place where dreams begin” and “days related to youth” are based on Beijing in the 1970s. A group of military yard children met and fell in love with the torrent of the times. Youth full of dreams encountered hard reality, beauty and ugliness.Both and pan out.Many of the characters in the play can be found in Ye Jing and his friends; many plots are also their real experiences. Fighting, stubborn ice, and filming a wife . “Wang Shuo has also entered the Dongfeng Market police station.”The Days Related to Youth” also has this plot, which are all true things.”Sauna, Ye Wang Yang Lianjie Zhang He More details on the topic >>> Beijing drama and face